Sunday, January 14, 2018

The Sober Mind Wanders (A Lot).

What ill-fortune must befall a teetotaller to be trapped in an evening of loud music, poor lighting, no company and repeated exhortation of alcohol consumption? The weary shall elaborate.

It was a farewell party of a colleague - not one I had much interaction with during my ongoing time at a film production house. The other colleagues who expressed their love and admiration for him, have on many occasions prior, theorised his actual role in the company, given his alleged lack of preoccupation in his alloted job profile (we agreed on money laundering. Yes, this is all in jest).

The venue of an emotional tipsy farewell was voted a popular eating joint frequented by film industry denizens and strugglers of a Mumbai suburb that inhabits said patrons. This place was chosen because of the fizzy needs of the colleagues and the meat-eating requirements of yours truly (an alternative was a vegetarian restaurant, vetoed mostly by the sign of our collective, horrified baulking.)

And so, here we were at The Site of the Farewell, where the loud music was not conducive for conversation and the space crunch was a tragic mirror of every Mumbaikar's life ever. We sit in contemplative silence over the order of the day - the menu - and place them. The waiter jots down the drinks with an obliging smile that fast turns mocking, when, in a flurry of Bloody Marys and martinis, comes my request for a strawbery and guava Juice. "Mocktail?" he asks. "Yes, mocktail." He gives me a glance of amused condecension. Are waiters allowed to do that? No tip for him.

The music blared on. A prominent film/TV actor sat on a table next to us with much younger boys as they proceeded to have loud, booze-fueled, expletive-ridden exchanges. In another corner, a not-quite yesteryear actress with graceful ageing by her side engaged politely with a bunch of youngsters. I had lapsed into an existential, internal monologue which is not as articulate in hindsight, but seemed profound at the time. It was difficult not to be so. Everybody around me was bonding over their drinks. When a time for shots came, one of them insisted that I partake. Another one asked me why I don't drink. Two years in this company and every office party is a fragmented voice over auto-tuned songs asking me when I will give up my self-imposed abstinence and eventually understand what I am missing out on all these years.

However well-meaning the insistence, it is frustrating to shake my head. My steadily-growing firm defiance is possibly misconstrued as a moral high-ground. An assumption that I do not partake but ferociously judge those who do (never mind that the subtle exclusion has always been the other way around). Fun fact - I hail from a Punjabi family. Fun fact deux - I hail from a Punjabi family with a military background. Both communities have alcohol as a part of their social accessory. If I choose not to drink, despite emerging from this liberating confluence of cultures, it is most certainly out of choice and not out of any sense of morality. It is slightly disheartening when my older colleagues must talk about my preference at every event instead of understanding where my choice comes from. Perhaps, that is their choice.

It may seem like a superfluous rant and I truly would not consider it necessary if I was a freelancer and had to reacquaint every disbelieving drinker with this "behenji's" needs. No, gracious host, I do not wish to drink and I do not care much if others around me do. Live and let live, yes. No means no, yes (although this seems to work more for the topic of feminism than drinking).

When I asked Judgemental Waiter for a refill, he took the 'mock' in mocktail seriously when he asked me if I wanted a margarita instead. "Do you have a problem with mocktails?" I asked him with my sweetest smile. "No." "Then get me a mocktail." The mocktail was gotten, the stupidity unforgotten.

All conversations at the table revolved around drinks (blank) and food (this, I could get behind!). But somewhere, with two years of this rodeo, this non-acceptance from a well-intentioned lot exhausted me. My thoughts wandered to how we were characters in a play. The settings may change but the dialogue and the well-worn gestures did not. It was as if we were all being wound in a timeless rewind of conduct, everyday and at every event. Why are we here? I wondered. Why do we do this?

"Are you alright?" asked a senior writer at the celebration, with an Old Monk in his hand and boredom in his eyes.

I made a half-hearted excuse about being tired and having an early start tomorrow.

He asked again, too seasoned for the lies of a 20-something ponderer.

"I'm bored," I mouthed.

His next words were encouraging - "Then leave. Social etiquette is over-rated. If an event does not work for you, you should be allowed to exit it."

A colleague decided to call it a night and I followed suit soon after. I wished the former colleague well. He shook my hand before the rest of the attendees converged for blurry selfies. For a second, I almost envied them. Conformance could be peaceful. A preference for fruity goodness is usually an uphill struggle. I have had many express their exasperation, including friends who have a taste for the good stuff but a wariness when it came to drinking with their collegues. Apparently there, the judgement was more fierce because the co-workers took it as an affront that a known drinker chose not to do so in their preference.

Such trivial issues, such major reactions. The only time we should ever be looking into another plate (or glasses) is to see if they have enough as a controversial comedian once said. While the party spirit continued unabated, I took a rickshaw home, the sea-breeze my comforting companion (and hair disheveler) on the way back. I changed, I slipped under the covers and opened Madhushala on my Kindle. To read about celebratory chaos away from an actual one is liberating. Bless you, literature and Mr. Bachchan! It is your words that provide my greatest intoxication yet.

Sunday, February 26, 2017

Nice things.

Ever thought that your middle class roots have ruined you?

Me neither.

Still middle class for the record.

If you're a TV-owning individual with decent browsing habits, you would have seen Sarabhai v/s Sarabhai (a landmark of good programming but it is a lament which requires a blog post afresh). You would have been acquainted with Maya, the Sarabhai matriarch sass and speaker of anti-middle class tirades. You would have cringed but admittedly found it funny when she let loose a slew of middle-class conduct that she found horrific. Where'd the creators come up with that list, anyway? It seems like they spent their whole lives compiling it.

Thrift is definitely the first lesson that was taught/engrained/bored into my mind/being/soul. My parents were freelancers  (and likely will be) their whole lives. It's either feast or famine in such a choice so you obviously do the smart thing by spending on essentials, without going into Mohnisha Sarabhai mode (Maya's miserly daughter-in-law, bane of contention, beacon of extreme middle classiyat).

So everytime I chance upon an exorbitant price tag on food/wearable items/stuff I can't even describe, my immediate reaction is to convulse and roll on the ground until there is a tunnel deep enough for me to crawl in to take me home. At least that way, I beat the city's rush hour. #SilverLinings

Seriously, though. You show me a thing of expense, it better be a thing of beauty too. Or sheer delectableness (am I doing this right?). No sir, I will not partake of your coffee which costs me a lung or a puny European serving which will fetch two kidneys and a heart valve unless Zeus himself is serving me, impeccable apron in place (seeing as Zeus is essentially in the raw, wearing an apron won't hurt).

It doesn't hurt to want and get nice things. That's why it's okay to have a regular paying job (which also has its own pitfalls but that is also another lament for an entire series of books). "So what are you going to buy?" my folks ask. "Rubber bands. I'm running out." They exchange a look of 'hai, gareeb aatma' but I have a lot of hair. On my scalp, while we're being specific.

I don't enjoy spending all that much. Outside food does my exterior (or posterior...) no favours, clothes will not fit if said proportion(s) are not maintained. Two pleasures that are at odds with each other. Wow, such sad.

"Own experiences, not things, baby," said a sagely elder to me before browsing for GIFs on her smartphone again. Great plan. I look at foreign destinations. Everything looks so much cheaper when you're looking at the numerals in $ and € without converting it to our own freaking devalued currency. (WHY GOD WHY, this entitled millenial shrieks).

I type this entire post on a laptop gifted to me six years ago, with WiFi in my room seated on a bed as old as me, but oh, so comfortable. Meanwhile, in third world continents, the seven countries banned by Trump, in USA, the world, the whole freaking galaxy, chaos reigns supreme as it must while we sit in our individual worlds, pondering over our next move and how much life sucks.

Still want them nice things, tho.

And now that my 1AM brain has done smearing this white space with text, I can finally prepare for bed. There's work to be done tomorrow, mild soul-searching, a walk under the sky and yet another film to be watched. Know where to look and some of these nice things come for free.

Thursday, January 21, 2016

Next door

The mattress springs creaked. Then, the floorboard. Then, the headboard against the wall. The crescendo rose with the shaking sounds of ecstasy, which was clearly agreeable for the parties involved but not so much for Mallika Sahay, who wanted and needed a deep slumber after an honest day's work.

It's one thing to be  a rampant rabbit in the sack. Quite another to have the woodpecker frequency bore a hole in the wall. Mallika stumbled out of bed at 7am, grouch mode on.

The cleaning lady was not clearing the bins that week and they would not clear themselves, so Mallika and the other bleary-eyed residents of a peeling North Mumbai building had to fend for themselves until then.

She took the opportunity to knock at her offending neighbour's door. Ayaan Kashyap opened, wide awake and all smiles.

"Howdy, neighbour. Fancy seeing you at my doorstep."
"Keep it down," she scowled.
"Why, you hungover?"
"NO. Keep it down during... you know..."
Ayaan blinked. "What are you on about?"
 
She sighed. "Sex. I understand that it is tremendous validation of your virility to hear auditory cues for the same but the next time you have lady callers, please ask them to keep their voices low. Or ensure that it does not go so high."
"So I hear you and some of it did sound like it was in English. The preamble is basically about the sound in my apartment, huh?"
"Yep."
"Last night, huh?"
"Uh huh."
"Wasn't home. You've got the wrong impression. Or the wrong neighbour."

He smiled a smile of effortless charm, before stooping to scoop up his own garbage bags. Mallika briefly pictured hitting out each pearly with a hammer in a bloody orchestra.
"How kind of you to wait for me," said Ayaan, shutting his door behind him.
"I wasn't... "
"I kinda wanted to talk to you anyway."
"Okay?"
"So basically Friday night is gig night for some of my friends at Ivory's. I've got free passes."
"Uh huh?"
The narrow corridor opened into a wider staircase. Ayaan manfully let her go first.

"Après vous," he grinned. "So anyway, like I was saying... I had free passes for tonight's show. It's gonna be a late night. So if you're able..."
"I'll pass. Late nights aren't for me."
"Whoa. Who said anything about a late night for you?"
"You did?"
"I was wondering if you'd look after my cat for the night."
"Huh..."
"It's adorable that you thought I was inviting you out."

Mallika shrugged.
"We can't all be articulately on-point, can we? I'll look after your furry feline."
"You are most gracious, fair maiden. This commoner is humbled and indebted forevermore to Your Ladyship."

Ayaan did a bow, which was more graceful than she wanted to admit. She did a deliberate, angry curtsey in return, but looked like someone struggling to adjust the lining of her underlinen. It was the last straw for Klutzytown that morning.

Mallika went to work, polite and efficient. There were a few sympathetic pats on her shoulder which she didn't need, but hey, nice to know that people cared about her broken engagement. She accepted the free coffee (and a comfy cushion? What?!) as one of the many perks of social empathy. 

But there was attention and she could do without it. Some of them were beginning to notice the gash on her arm. She had roll down her sleeve to conceal it...

I have to be more careful in the future...

--------------------------------------------------------------------------------------------------------------------------

(To be continued. Or not. Decisions, decisions...)

Tuesday, October 22, 2013

MAMI 2013: Day 4

It can get difficult to write about the films you see right after you walked out of the hall. I'm sleepy right now. I'm always sleepy after a succession of movie-watching. So I guess I'll keep it brief for the coming days since I'll be watching the night shows and stumbling home soon after.

  •         Killer Toon:

It was the plot of the Korean film (directed by Yong-gyun Kim) that got my attention (and maybe also the slightly ridiculous title). The editor-in-chief of a horror webcomics organisation is murdered. Cartoonist Kang Ji-yun is the prime suspect since anybody she sketches seems to die in the exact same way. So what's happening here?

I did not know this was a horror film. If I did, I'd probably avoid it like the plague. But yes, Killer Toon's a horror-thriller and not a very smart one. It relies heavily on the gimmickry of sound effects and make-up blood to bring in the chills. That could work for suckers like me, but for the more seasoned veterans, this one will probably just be a drag.

There are a few suspenseful chase sequences in the film which are the highpoints but the final resolution is so unconvincing, you cease to care.

But to watch it just for the fun of it (it won't get all that boring), Killer Toon's being repeated on 23rd October at Cinemax, Screen 3 at 6 pm. Do confirm and book.
  •          Miss and the Doctors:


Axelle Ropert's French romcom's about the wedge that drives two brothers apart after they fall for the same woman. Nothing remarkable. Not all that romantic. Pretty boring. Not sure if it's getting repeated, though.
  •          Brahmin Bulls:

Mahesh Pailoor's film stars Roshan Seth and Sendhil Ramamurthy as a dysfunctional father-son duo who have a strained bond after the former had a discretion of the extramarital variety. It is tested further when the widowed man comes to visit his son whilst also trying to meet the love of his life at a conference in Los Angeles. One of my acquaintances considers it the most refreshing film he saw all day. I found it dull, though some moments and performances were top-notch.


There are no further repeats for this film.

Monday, October 21, 2013

MAMI 2013: Day 3

Monday, 21st October was my third day at MAMI. Gave the Sunday screenings a miss because I was so tired. I had intended to watch 60 going on 12 and Giraffada. There is no repeat screening for either of them. But do double check.

I intended to see five films today. Could only make it to 4. Or rather, 4 1/4.


  • Short Term 12:
I had a choice between this and a Mexican film called Heli. While the latter was about the downward spiral of protagonists into the hellish world of drugs and violence, the former was set in a foster care facility. And I'm always a sucker for uplifting cinema. Plus, I'd read a largely favourable response for this one.

I wasn't expecting much to begin with, but did not find satisfaction in the final outcome. 

Destin Cretton's Short Term 12 follows Grace (Brie Larson from 21 Jump Street), a worker at the foster care, who is very good at what she does. There's a dark past that still hangs around her neck like an albatross, but her co-worker and boyfriend Mason (John Gallagher Jr. aka Jim Harper from The Newsroom) is supportive all the way.

She begins to share her past with the newest entrant (inmate?), a troubled teenager named Jayden. Their uneasy bond is their road to salvation. The drama has its moments, which is why I can't dismiss this right away. But it's not making it on my recommendation list because of its languid pace and some non-inspiring conversations between characters. (How convenient is it that Grace and wild-child Jayden connect on the exact same trauma and ticks?)

Maybe I was expecting a more mainstream mood-elevator and didn't realise it. Still, after today there will be no repeat screenings of this film.

  • Bekas:
Karzan Kader's Bekas was not my first choice for an afternoon watch. What I really wanted to see was Blue Is The Warmest Color, which was running to packed houses. Instead, I had to settle for a story of two Iraqi boys wanting to escape the Saddam Hussain regime by going to America and meeting Superman. Sounds ironic? Sad? Replete with irony?

Bekas is all this and also manages to be predominantly uplifting. Brothers Zana (Zamand Taha) and Dana (Sarwar Fazil) want to wing it to America (which they believe is a city shaped as Europe while they reside in 'Africa'!) so that Superman can fly back with them and avenge the death of their parents, possibly killed by Saddam's soldiers.

So while it is on the face of it the journey of two boys across the unforgiving topography, it is also a bigger comment on the ensuing military rule happening in the background. That's easy to spot.

Kader has the remarkable ability to take you to the brink of despair and pull you right back towards a deeply satisfying conclusion.

This film is recommended viewing, though will sadly not be screened again at the fest.

  • Keeper of Lost Causes:
Mikkel Norgaard's film is apparently based on a book, something I gathered with a little reading online. I'd never seen a Danish film (not to my recollection anyway) and did not know what to expect from the thriller. But rest assured, I think it's probably the best film I've seen all day (alongside Bekas, of course).

Chief detective Carl Morck (Nikolaj Lie Kaas) is assigned to Department Q of the police department after a mission gone fatally wrong. The caustic cop is now relegated to a desk with an assistant named Assad (Fares Fares), where he is supposed to go over closed cases and sort them accordingly. The disappearance of politician Merete Lynggaard (Sonja Rochter) grabs his attention.

A beautiful woman. Disappeared from a passenger boat. Her brain-damaged brother Uffe (Mikkel Boe Følsgaard) was hysterical at the scene of the disappearance. What's happening?

Many may not find the noir thriller earth-shattering. Nor do I, truth be told. I could see how the climax would shape up. But it is still something I would heavily recommend. Do NOT miss. It's one of the most engrossing films I've seen in the festival so far.

  • For Those In Peril:
Oh Lord, I can't believe I missed Sulemani Keeda for this. SK was running to a packed house, so I decided to settle for this disaster movie. And I mean that literally. There is nothing I found worth writing home about. No clue what trip director Paul Wright was on while filming this. There were numerous walk-outs during this screening and I happened to be one of them. Damn! Really did want to see five films. This was the 1/4 I did see. And immensely regret.

It will be repeated on 22nd October, Tuesday at Metro, Screen 5 at 3:30 pm. Watch at your own risk.

  • A Castle In Italy:
Aaaaaaaaaaah! As if my mood wasn't crabby enough with the above film. I had a choice between the much acclaimed Gloria and this one. And I chose ACIT, because there's a castle. In Italy. With romance. What could go wrong, right? RIGHT? Wrong. So wrong. *shoots self*

There's a former actress with a younger actor pursuing her. Actress' castle has to be given out for rent because her family is debt-ridden.You'd think this was the plot but then there are such annoying, unnecessary plot tangents, you stop caring.

Writer-director Valeria Bruni-Tedeschi is the leading lady of the film. The limelight's on her, so other characters and the semblance of a plot take a major beating.

The film will be repeated at Cinemax, Screen 1 on 23rd October at 6 pm. But just confirm that, if poss.

Until next time, folks. Take care.

Saturday, October 19, 2013

MAMI 2013: Day 2

Four films in a day. This is probably a first for me, says my father. He may be right. If there have been any prior instances, they elude me. Keep reading if you're interested in knowing which four films I managed to watch today.

  •      Good to Go:

Ivan (Evgen Car, so endearing) is not a happy man. One could say that a lot of his misery is self-imposed. "All my life is in these boxes," says Ivan to his brother Vinka (Ivo Ban), though here I might be paraphrasing just a little bit, as he packs up his belongings to move into an old age home. "It wasn't a very interesting one either," retorts Vinka.

Ivan's life may not have been so, but the home he leaves behind is of great interest to his icy daughter-in-law Polona (Janja Majzelj, reminiscent of Cruella de Vil according to a friend) who wants to make more than a few major alterations to it upon his departure, while his son Marko (Vladimir Vlaskalic) looks on. The only person who can soften the scowl creasing his face, forehead to jowls, is Ivan's granddaughter Brina (Juta Kremzar).

The doting grandfather spares his smile for none else, not even the residents of the retirement home. Just when it sounds like the old timer could do with a little 'Carpe Diem' in his limited lifespan; he begins to enjoy the company of fellow resident Melita (a lovely Milena Zupancic).

There are other old men, with their little pranks, nuances and humourous touches who add life to Ivan's life and to what could otherwise have been a meandering film. Watch out for the scenes that include their computer classes, card games, an aerobics class in the pool and a planned getaway from the home for a music concert.

My friend with me found the Matevz Luzar-directed film slow and would only want to give it three stars. I don't know about rating, but I know that this is something I would everyone if I could get my hands on it.
This Slovenia-Croatia beauty will be screened again on 23rd October at Cinemax, Versova – Screen 1 at 12:30 pm.

Please don't miss it.

  •      Before Midnight:

Okay, I'd be lying if I said I saw Richard Linklater's Before Sunrise and Before Sunset. Yes, I heard those collective gasps, but I did know the plot lines for both the films and figured this one would be a bit stand-alone in itself. There are a lot of references to the prequels, which would be better appreciated by those who saw them.

I'm not saying I disliked the film. In fact, the long shots of endless discussion made for quite a class act. It is so difficult to maintain a consistent chemistry on camera but Julie Delpy and Ethan Hawke pull off the mature, married couple with élan. Fans of the series would love to see the duo age and evolve. Others may not take too kindly to their domestic quarrels.

For those who haven't seen the previous films, this one's about conversations. No major plot. Just simple, thought-provoking conversations as if you were only sitting next to them. I enjoyed the ride while it lasted, but felt a sense of incompleteness when the end credits rolled. It's a film that could or could not work for a lot of people.

I'd wave a green flag for this. Not too enthusiastically, but just for some lovely nuggets of conversation before the characters get whiney.

If interested, the film will be screened on 23rd October at Liberty cinema, Marine Lines at 5:30 pm. No, it isn't a multiplex.
  •       Liar's Dice:

The only reason I attended the screening of writer-director Geeta Mohandas' film was for Nawazuddin Siddiqui. It's the story about an anxious wife (Geetanjali Thappa) and her little daughter (Manya Gupta) from the mountainous Chitkul village embarking on a perilous journey to find her husband, their pet goat in tow.

Nawazuddin plays an army deserter who decides to tag along, since it isn't a safe world for women. Least of all if her itinerary includes Delhi as the end point for her search.

I tried to keep an open mind about the film, but after a point it began to drag. The climax, when it comes, gets a little confusing. The dots aren't connected all that well and the ensuing hysteria, though effective, is grating. Not something I would recommend, but if you're a Nawazuddin fan, go for it.

I don't want to completely run down an entire team's effort to shoot over vastly differing terrain, so I give full marks to the makers for capturing the essence of a harried commute through the mountains with the shaky cam. However, it does get excessive in the second half.

I'm not sure if there are repeats for the film. At least I could not find any after this. This was probably the second and last screening.
  •          Don Jon:

The much-awaited Don Jon was filled to capacity in Cinemax, Versova today. Yours truly was one of the fortunate few who managed to reserve her seat in time. It was the hype, more than anything else that drew me in. Written and directed by Joseph Gordon-Levitt? Golly!

Or not.

JGL plays Jon Martello, a bartender who seems to possess remarkable powers of seduction over the women who groove at the club, though nothing about his character really comes across as smooth and charming. Anyway, he plays the game, beds the woman but can't really get his rocks off with physical intimacy. He needs to watch porn for that.

So yes, explicit porno footage ahead, though not blatantly graphic.

Enter Scarlett Johansson, whom Jon decides he is ardently in love with because she did not yield to his sleazy manliness. At least that's how it looks. The question is… is this something that will last?

Honestly, considering it was a JGL film, I expected it to be smarter, especially with dialogue. It has the cool quotient down with the editing and a recurring background score every time our hero feels the need to surf the nasty online. But somehow, it lacks the punch, the character development and a decent enough conclusion to really do it for me. Shame, considering the film started out so well.

But don't look disappointed. If you still have your heart set out on Don Jon, you can catch it on 24th October at Metro (Marine Lines), Screen 5 at 6 pm.<

Friday, October 18, 2013

MAMI 2013: Day 1

I know I've been really sporadic on social networking sites, but I am itching for a change. It's been a very exciting turn of events lately, but the most exciting of all is MAMI (Mumbai Academy of Moving Image) aka the Mumbai Film Festival, which is happening right now.

Many of you may know the general plot layout of the films mentioned (or those which will be mentioned) if you have the delegate kit, but I am elaborating for the benefit of those who do not have one yet.

Being a bit of a film buff (though not a film nerd just yet), I've decided to share brief notes on the films I've been watching. Technically, the fest began yesterday, but they were showing The Butler all the way in Liberty at 7 pm. I wasn't too inclined for an evening dash, but here's what I managed to see on the official day 2, which is my Day 1.

Remember... it's never too late to make a MAMI Delegate Pass and watch these films ( http://register.mumbaifilmfest.org/) .


  • Sunlight, Moonlight, Earth (Aftab, Mahtab, Zamin) (Iranian):
Ali Ghavitan's endearing take on the friendship between Sheikh, an elderly village cleric and the seven-year-old Narges makes for patient viewing. The scenes are just languid as characters amble from one end of the screen to the other in a long take. Sunlight, Moonlight, Earth is more than just about the relationship between an old man and a child. The former is stooped over, not just with age but with the weight of an inheritance he did not ask for. Said inheritance is 50 acres of a land in a village where the workers toil under the crackling sunlight.

Sheikh is reluctant to reveal the true purpose of his visit and the villagers are naturally suspicious of the bearded stranger. Can his piety and gentle ways win them over? How far will an envious Malek go in raising hostility against the older man?

Sunlight, Moonlight, Earth is not for everyone. I walked away, not disappointed (satisfied to an extent), but not something  I would not include in a must-see list. It is a sweet, simple film, although a few people in the screen with me did rave about it later. If you find a slot where you can fit this film in, go for it. Give the film time to unravel.

The film will be repeated on 20th October (Sunday) at Cinemax, Versova - Screen 5 at 12:30 pm.

  • Qissa (Punjabi film, stars Irrfan Khan, Tisca Chopra):
Anup Singh's Qissa deals with the question of identity within a Sikh family residing in post-Partition India, but not in the way one would imagine. The film deals not with the national identity of the displaced citizens, but with distraught father Umber Singh's (Irrfan Khan) 'qissa' (tale) of gender identity.

Weakened by his unfortunate circumstances and saddled with the responsibility of three daughters, he now yearns for a son. Despite his wife's (Tisca Chopra) much-resented hattrick in giving him daughters, Umber (can't remember his character's name) hopes to be fourth time lucky. Doesn't happen. The fourth child is a daughter, but the father in a twist of shocking obstinacy raises her to be a son named Kanwar (played by Tillotama Shome when s/he grows).

Yes, the film touches upon the delicate topic of menstruation which Umber tries to cover up, the wrestling classes and the hunting sessions to make a man out of a woman. Kanwar dresses, walks and talks the part. And even takes the big leap by marrying a gypsy girl, Neeli (Rasika Duggal) when it becomes a matter of family honour.

There are some logical loopholes in the film like:

- The submissive mother who let her daughter's sexual identity get taken apart
- Whether her sisters knew about her real gender
- The ending (I had my own interpretation, but many around me were baffled)

Qissa takes you on the ride which is akin to thinking you're going to Elephanta Caves but land up, instead, at a surreal island (a la Life of Pi) in the middle of the sea. The analogy may not make much sense, but I am merely trying to illustrate the difference between the major chunk of the film and the climactic turn.

But that does not mean that the film should be given a miss. In fact, I highly recommend it. The shot compositions are beautiful, the performances remarkably restrained. Night sequences can be a dreadful challenge to shoot, but this film (at least for me) gave me the essence of a moonlit night in a quaint little village.

The hall was jam-packed for this film. For those who missed it, the film will be repeated on 19th October (Saturday) at Cinemax, Versova - Screen 4 at 3:15 pm.

  • Jadoo:
If there's any film that's made me hungrier than The Lunchbox, it's this one. Amit Gupta's delightful Jadoo is hands-down my pick of the day. Two brothers who jointly ran the Chandana restaurant have a bitter squabble, which results in the family and the family recipe book being torn in half. One brother (Harish Patel) gets the starters and the other (Kulvinder Ghir) gets the main courses. When they open their rival restaurants (both called 'Chandana') across the road from each other, you can very well guess the specialty of either place.

When daughter Shalini (Amara Karan) returns to find her father and uncle feuding when they whip up a lavish Indian repast for her wedding day, she decides to fix things. And that's when the fun really begins. Also... the food porn. Ooof. Delicious.

I am glad I stayed back for this one. I was being persuaded to leave for more 'promising' films, but I am glad I stuck on. The end may be sappy and predictable for some (most happy endings have one way to go, right?) but I cannot recommend this enough. Do watch!

The film will be repeated on 19th October (Saturday) at Cinemax, Versova - Screen 2 at 5:45 pm.

If all goes well, I'll be able to watch four films instead of three tomorrow. Still hope I can upload tomorrow. I'll try to keep you guys posted. Stay tuned and be cool! Peace out!